Nathalie was recently featured as a guest curator for 21CM! As guest curator, she chose different people, organizations, and projects that inspire her, as a part our 21CM’s POP Picks Initiative. In February, she wrote about Ambrose Akinmusire’s “Origami Harvest,”
In 2017, both Nathalie Joachim and Allison Loggins-Hull were commissioned to write pieces for Amanda Gookin’s Forward Music Project. These pieces will be performed again in a second iteration of the project, presented by National Sawdust, as a part of
Very happy about this interview that Nathalie did for Indy Week. It’s a thorough profile of our latest project, Discourse, commissioned by Carolina Performing Arts, and highlights our commitment to using art as a way to connect with people and communities in order
We’re so excited to announce that our very own Nathalie Joachim has been named the new flutist in the three-time Grammy winning ensemble eighth blackbird. In addition to continuing her role in Flutronix, Nathalie will join eighth blackbird for the 2015-16
Flutronix’s cover of Japanese pop hit Candy, Candy by Kyary Pamyu Pamyu got two thumb’s up in Impose Magazine‘s Week in Pop cultural review. The review praises the cover, saying that “Nathalie’s voice, enthusiasm and smile show the global relevance of one of Japan’s
She’s Just Like Me, a blog that celebrates inspirational women of color by identifying them as diverse role models for generations to come, took a moment to sit down with Nathalie. The Q&A offers insight to Nathalie’s life as half
The Juilliard Journal, newspaper of The Juilliard School, ran a featured article on Nathalie, calling her work with Flutronix a display of “unique and original artistry“. The article describes Nathalie’s experience as the only alumnus of the school to have completed its
